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霍省瑞.“春凳”与“‘春’凳”——兼与魏启君、孔令彬先生商榷[J].北京理工大学学报(社会科学版),2011,(3):114~118 本文二维码信息
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“春凳”与“‘春’凳”——兼与魏启君、孔令彬先生商榷
"Spring Stool" and "Spring" Stool—Discussion with Mr.Wei Qijun and Mr.Kong Lingbin
投稿时间:2010-03-30  
DOI:
中文关键词:  “春凳”  “春”凳  内涵
English Keywords:"Spring Stool"  "Spring" stool  connotations
基金项目:四川大学985工程“文化遗产与文化互动”创新基地资助项目(B080122)
作者单位E-mail
霍省瑞 四川大学 中国俗文化研究所, 成都 610064 huoxingrui@163.com 
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中文摘要:
      “春凳”是一种明清流行的家居器物,只是一种宽而长的凳子,并无靠背。凳面多用攒边做法,通常可供两人同坐或一人躺卧,亦可用作摆放器物的家具。但“春凳”又不仅是家居器物,还寄予着人们对美好生活的向往与追求,有着丰富的社会文化内涵。正因如此,“春凳”频繁出现于明清乃至现当代小说之中。准确理解“春凳”的特征及其特有内涵,才能深刻体味它在小说中除了满足场景描写的需求外,所承载的当时人们特有的家居行为方式和社会文化心理,才能感受到它所渗透着的小说家细腻的情感痕迹与精心的艺术构思。
English Summary:
      "Spring Stool" is a popular article of furniture in Ming and Qing dynasties, which is just a wide and long bench without backrest. Stool surface is generally made in the way of"Zanbian", usually accommodating two people sitting or one person lying, which can also be used for putting objects. However, "Spring Stool" is not only a kind of household utensils, but also has rich social and cultural connotations, reflecting the people's yearning and pursuit of better life. For this reason, "Spring Stool" frequently appeared in the stories of Ming and Qing dynasties as well as contemporary stories. Only when the characteristics and cultural connotation of "Spring stool" are accurately understood, can we thoroughly appreciate how it meets the demands of depicting the scene in the novel, what household behavior and socio-cultural psychology it implies. Thus we can feel the novelists' emotional depictions and delicate artistic designs.
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